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Reality synopsis: From acclaimed director Matteo Garrone, REALITY is a darkly comic look at Luciano, a charming and affable fishmonger whose unexpected and sudden obsession with being a contestant on the reality show "Big Brother" leads him down a rabbit hole of skewed perceptions and paranoia. So overcome by his dream of being on reality TV, Luciano's own reality begins to spiral out of control, making for one of the most compelling tragicomic character studies since Scorsese's The King of Comedy. (c) Oscilloscope. If You Like this movie you can streaming Reality Best movie without downloading HERE

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The satire here is finespun, and the film's conclusions ambiguous.
Michael O'Sullivan-Washington Post

A dark allegorical comedy about the nature of fame, about obsession, about madness - and the point where they converge: on Big Brother, a TV show watched by millions.
Steven Rea-Philadelphia Inquirer

For all its ups and downs and occasional detours into boorishness, it's an original that will surprise if not necessarily delight fans of Garrone's very different crime drama, "Gomorrah."
John Hartl-Seattle Times

Matteo Garrone follows his crime epic Gomorrah with a comedy about reality TV, and though it hardly rivals the earlier movie in its social complexity, it still offers the spectacle of a vibrant and vividly realized Neapolitan neighborhood.
J. R. Jones-Chicago Reader

As cautionary tales go, this one's ripely knowing, and it speaks in a lot more languages than Italian.
Ty Burr-Boston Globe

Garrone has a feeling for sweep and color, and he makes Luciano a pathetic victim of the unrealities with which TV can beset us.
Stanley Kauffmann-The New Republic

A feast of eye candy and broad comic caterwauling.
Kelly Vance-East Bay Express

A chilling dose of filmic reality of how damaging and all consuming celebrity and some people's aspirations of it can be ...
Lisa Giles-Keddie-Real.com

signifies the moral bankruptcy and delirium of Silvio Berlusconi's government-as-game-show regime
Chris Cabin-Film Racket

It's a step down from his previous work as it's less ambitious and doesn't quite come together but it features enough interesting ideas about our fame-obsessed culture to see why it connected with the French fest jury.
Brian Tallerico-HollywoodChicago.com

It's a sad story, told at too great a length, but its final image is devastating.
Philip French-Observer [UK]

That may not be a new thesis but Garrone portrays it beautifully -- from the first God-like view from a helicopter to the film's denouement.
Will McCord-Paste Magazine

Garrone's critique of Italy's current cultural vapidity is too indulgently affectionate and lacks both originality and bite.
David Parkinson-Radio Times

A handsomely crafted film but one that already feels dated.
Allan Hunter-Daily Express

The film falls on its own sword by creating a dish that is more than a little overcooked, though even a cursory glance at Italian television might suggest that it is virtually impossible to exaggerate anything.
Derek Malcolm-This is London

This satire of the media's seductive power in Italian culture was the most eagerly awaited event in Cannes Film Fest, due to the fact that it's a follow up to Garrone's stunning debut, Gomorrah.
Emanuel Levy-EmanuelLevy.Com

The story lollops along, as old-fashioned as Neo-realism, as "targeted" in its satire as a mutt questing for a lost bone.
Nigel Andrews-Financial Times

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