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Post Tenebras Lux synopsis: POST TENEBRAS LUX ("light after darkness"), ostensibly the story of an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction, is a stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world. Reygadas conjures a host of unforgettable, ominous images: a haunting sequence at dusk as Reygadas's real-life daughter wanders a muddy field and farm animals loudly circle and thunder and lightning threaten; a glowing-red demon gliding through the rooms of a home; a husband and wife visiting a swingers' bathhouse with rooms named after famous philosophers. By turns entrancing and mystifying, POST TENEBRAS LUX palpably explores the primal conflicts of the human condition. (c) Strand. If You Like this movie you can streaming Post Tenebras Lux Best movie without downloading HERE

Visitor Ranting and Critics For Post Tenebras Lux

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Review For Post Tenebras Lux

Yet again, one senses that Reygadas - instead of simply getting on with the job of making a film - has opted instead to go for an opus magnum that reminds us of cinema's greats
Geoff Andrew-Time Out

The title, signifying "light after darkness," derives from the Latin translation of the Book of Job, an appropriate source given that a considerable amount of the prophet's proverbial patience is required.
Jay Weissberg-Variety

It's just one self-indulgence after (or before) another.
Philip French-Observer [UK]

The film does come across as an evidently sincere attempt to create a new kind of cinema, but opinion will certainly vary on whether Reygadas really does offer, as his title suggests, light after darkness.
Trevor Johnston-Radio Times

Suggests Terrence Malick's The Tree of Life refracted through Tarkovsky's Mirror: terminally self-conscious, intermittently breathtaking.
Tim Robey-Daily Telegraph

This often brilliant director is defiantly playing private games with us, whether we like it or not.
Derek Malcolm-This is London

Post Tenebras Lux does (just about) repay viewers' tolerance with an intermittent succession of cinematic jewels.
Donald Clarke-Irish Times

An irritating, baffling, fascinating film.
Peter Bradshaw-Guardian [UK]

Baffling is the default setting for this movie.
Nigel Andrews-Financial Times

This dark and slightly surreal Mexican film is beautifully shot and features a string of naturalistic and impressive performances, but sadly its bizarre blend of eccentric scenes don't really come together.
Jennifer Tate-ViewLondon

Reygadas is, from a certain point of view, one of modern cinema's masters: a director who wants to work with productive frustration as he creates images using a distorting, bevelled lens to size up a world that is itself distorted.
Tony McKibbin-The List

Mexican experimentalist Carlos Reygadas offers a perplexing, plotless plod about a dysfunctional family living in the countryside.
Siobhan Synnot-Scotsman

Reygadas' big ideas translate with mixed results.
Angie Errigo-Empire Magazine

Some metaphors score and some miss, but this is leap-of-faith cinema: the rewards entail some risks.
Kevin Harley-Total Film

Ambitious (and pretentious) to afault, Reygadas' latest feature contains some haunting imagery but is frustrating from a narrative standpoint.
Emanuel Levy-EmanuelLevy.Com

There's visual poetry here, in small doses, but it doesn't take long for one's patience to run out.
Marc Mohan-Oregonian

Boasts some incredible scenes.
Charlie Lyne-Ultra Culture

It pains us to say that Post Tenebras Lux leaves you in a state of chilly bemusement rather than breathless rapture.
David Jenkins-Little White Lies

Dreary family drama goes on to dominate what could almost be described as the plot, and mid-film sorties into a cheerless sex club and a rugby match at an English secondary school are as bamboozling in isolation as they are in context.
Robbie Collin-Daily Telegraph

There is a vision here, certainly, but the film feels genuinely, bracingly experimental in that it seems to be searching for its own meaning and form, rather than asserting them ready-made.
Jonathan Romney-Screen International

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